JORENTA
Поиск
Заработай на Letitbit без затрат времени
Заработай на Letitbit без затрат времени
Подписчики:
90 подписчиков
ID:
44869597
Блокировка:
Нет ограничений
Верификация:
Сообщество не верифицировано администрацией ВКонтакте
Видимость
открытое
Популярность:
У сообщества нет огня Прометея
Домен:
clubdletitbit
Описание
С проэктом Seven_Links вам заработать не выходя из дома!
ТОРТ из ПАМПЕРСОВ!!! Уфа, Бирск, отправка в друг
~~~AGA ILLUSTRATION~~~
KAMNIVDOM
Свадебные аксессуары из атласных лент
Слепочки малышей и рук влюбленных.
![~~~AGA ILLUSTRATION~~~. ~~~ AGA ILLUSTRATION ~~~ LONDON ~~~ ~~~ MOSCOW~~~
I prosto lubiteli illustracii welcome!
Иллюстрация — визуализация, такая как рисунок, фотография или другая работа, создаваемая с целью выделить субъект, а не форму. Назначение иллюстрации — объяснить или декорировать текстовое содержимое книги, журнала, газеты.
ABOUT ILLUSTRATION
An Illustrator is a graphic artist who specializes in enhancing writing by providing a visual representation that corresponds to the content of the associated text. The illustration may be intended to clarify complicated concepts or objects that are difficult to describe textually.
Illustrations have been used in advertisements, greeting cards, posters, books, magazines and newspapers. A cartoon illustration can add humor to humorous essays.
Early history
The earliest forms of illustration were prehistoric cave paintings. Before the invention of the printing press, books were hand-illustrated. Illustration has been used in China and Japan since the 8th century, traditionally by creating woodcuts to accompany writing.[citation needed]
15th century through 18th century
During the 15th century, books illustrated with woodcut illustrations became available. The main processes used for reproduction of illustrations during the 16th and 17th centuries were engraving and etching. At the end of the 18th century, lithography allowed even better illustrations to be reproduced. The most notable illustrator of this epoch was William Blake who rendered his illustrations in the medium of relief etching.
Illustration by Santiago Martinez Delgado.
Early to mid 19th century
Notable figures of the early century were John Leech, George Cruikshank, Dickens' illustrator Hablot Knight Browne and, in France, Honoré Daumier. The same illustrators contributed to satirical and straight-fiction magazines, but in both cases the demand was for character-drawing that encapsulated or caricatured social types and classes.
The British humorous magazine Punch, which was founded in 1841 riding on the earlier success of Cruikshank's Comic Almanac (1827-1840), employed an uninterrupted run of high-quality comic illustrators, including Sir John Tenniel, the Dalziel Brothers and Georges du Maurier, into the 20th century. It chronicles the gradual shift in popular illustration from reliance on caricature to sophisticated topical observations. These artists all trained as conventional fine-artists, but achieved their reputations primarily as illustrators. Punch and similar magazines such as the Parisian Le Voleur realised that good illustrations sold as many copies as written content.
Walter Ratterman, oil on Canvas, ca1927, Woman at a piano in elegant interior. Illustration for Good Housekeeping magazine. Golden age of illustration
The American golden age of illustration lasted from the 1880s until shortly after World War I (although the active career of several later golden age illustrators went on for another few decades). As in Europe a few decades earlier, newspapers, mass market magazines, and illustrated books had become the dominant media of public consumption. Improvements in printing technology freed illustrators to experiment with color and new rendering techniques. A small group of illustrators in this time became rich and famous. The imagery they created was a portrait of American aspirations of the time.
A prolific artist who linked the earlier and later 19th century in Europe was Gustave Doré. His sombre illustrations of London poverty in the 1860s were influential examples of social commentary in art. Edmund Dulac, Arthur Rackham, Walter Crane and Kay Nielsen were notable representatives of this style, which often carried an ethos of neo-mediævalism and took mythological and fairy-tale subjects. By contrast the English illustrator Beatrix Potter based her colored children's illustr](https://sun9-42.userapi.com/impf/c4117/g583553/d_dd01d360.jpg?quality=96&as=32x32,48x48,72x72&sign=3ed1d4904f2d90a8eccb9e8443f4d7c0&u=1NYP7wD7FQ5iiOXLTST2oZO0ny4hPEHnbsTdQLoX4ZA&cs=480x480 "~~~AGA ILLUSTRATION~~~. ~~~ AGA ILLUSTRATION ~~~ LONDON ~~~ ~~~ MOSCOW~~~
I prosto lubiteli illustracii welcome!
Иллюстрация — визуализация, такая как рисунок, фотография или другая работа, создаваемая с целью выделить субъект, а не форму. Назначение иллюстрации — объяснить или декорировать текстовое содержимое книги, журнала, газеты.
ABOUT ILLUSTRATION
An Illustrator is a graphic artist who specializes in enhancing writing by providing a visual representation that corresponds to the content of the associated text. The illustration may be intended to clarify complicated concepts or objects that are difficult to describe textually.
Illustrations have been used in advertisements, greeting cards, posters, books, magazines and newspapers. A cartoon illustration can add humor to humorous essays.
Early history
The earliest forms of illustration were prehistoric cave paintings. Before the invention of the printing press, books were hand-illustrated. Illustration has been used in China and Japan since the 8th century, traditionally by creating woodcuts to accompany writing.[citation needed]
15th century through 18th century
During the 15th century, books illustrated with woodcut illustrations became available. The main processes used for reproduction of illustrations during the 16th and 17th centuries were engraving and etching. At the end of the 18th century, lithography allowed even better illustrations to be reproduced. The most notable illustrator of this epoch was William Blake who rendered his illustrations in the medium of relief etching.
Illustration by Santiago Martinez Delgado.
Early to mid 19th century
Notable figures of the early century were John Leech, George Cruikshank, Dickens' illustrator Hablot Knight Browne and, in France, Honoré Daumier. The same illustrators contributed to satirical and straight-fiction magazines, but in both cases the demand was for character-drawing that encapsulated or caricatured social types and classes.
The British humorous magazine Punch, which was founded in 1841 riding on the earlier success of Cruikshank's Comic Almanac (1827-1840), employed an uninterrupted run of high-quality comic illustrators, including Sir John Tenniel, the Dalziel Brothers and Georges du Maurier, into the 20th century. It chronicles the gradual shift in popular illustration from reliance on caricature to sophisticated topical observations. These artists all trained as conventional fine-artists, but achieved their reputations primarily as illustrators. Punch and similar magazines such as the Parisian Le Voleur realised that good illustrations sold as many copies as written content.
Walter Ratterman, oil on Canvas, ca1927, Woman at a piano in elegant interior. Illustration for Good Housekeeping magazine. Golden age of illustration
The American golden age of illustration lasted from the 1880s until shortly after World War I (although the active career of several later golden age illustrators went on for another few decades). As in Europe a few decades earlier, newspapers, mass market magazines, and illustrated books had become the dominant media of public consumption. Improvements in printing technology freed illustrators to experiment with color and new rendering techniques. A small group of illustrators in this time became rich and famous. The imagery they created was a portrait of American aspirations of the time.
A prolific artist who linked the earlier and later 19th century in Europe was Gustave Doré. His sombre illustrations of London poverty in the 1860s were influential examples of social commentary in art. Edmund Dulac, Arthur Rackham, Walter Crane and Kay Nielsen were notable representatives of this style, which often carried an ethos of neo-mediævalism and took mythological and fairy-tale subjects. By contrast the English illustrator Beatrix Potter based her colored children's illustr")
